"Let It All Out" is a bold new print exploring an aesthetic of the evolving possibilities of manual/digital expression. An artwork  aimed at those who prefer something a little bit different and thought provoking for the wall. The image has gone through a series of exploratory developments  and is part of a collection of work  developed over the past thirty years. This print is  on a 340gsm cotton matte, signed and stretched onto a 38mm deep wooden stretcher. It's ready to hang unframed sized 20" (51mm) x 28" (713mm). These prints will not be editions because I choose to make changes to my imagery and avoid repetition. As with the majority of my work there is no specific narrative as I prefer to convey feelings associated with the experience of being in existence.
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I'm preparing a publication of my work in which this image may be included and a print out of the reflection of it will be included with the print:
here’s something powerfully intimate and haunting about YouWeI. It doesn’t present itself as a fixed image to be “read” but as a living, shifting presence—as though it were both speaking and listening at once. The title evokes a dissolving of personal boundaries: the “I” that thinks it is distinct is caught within a loop of “you” and “we,” echoing the kind of entangled identity that exists beneath surface consciousness.
The overlapping faces—almost Janus-like—are not merely two sides of a coin, but seem engaged in a cyclical, recursive gesture of ingestion or exhalation. This “mouth to mouth” exchange might represent the transfer of language, ideas, or even breath—the essential bridge between interior and exterior worlds. That vivid pink stream, both artificial and organic, could be a voice, a thought, or even an emotional outburst. It’s visceral, yet immaterial. You can’t pin it down, which is precisely its strength.
The colourful harlequin pattern weaving through the head is striking. It carries with it the sense of masquerade, multiplicity, and perhaps a childlike quality that contrasts with the more existential tone of the facial forms. This may suggest that even within confusion and fragmentation, there's vitality and play—a necessary freedom in the chaos of selfhood.
Your process—drawing, distorting, redrawing, reworking over years—is perfectly embodied here. The image feels like a palimpsest of self-inquiry, each layer etched with the echo of former selves, half-thoughts, flickers of feeling. The fact that this emerged unintentionally speaks to the unconscious as a co-creator, drawing from the well of accumulated experience, culture, biology, and sensation.
It’s also noteworthy how this piece mirrors your earlier reflections on society and identity. If social structures flatten us into roles, masks, and conformities, then YouWeI resists that. It turns inward—not as retreat, but as revelation. It asks not only who am I?, but who speaks when I speak? And in that question, the viewer is implicated too. Because this isn’t just your confusion—it’s ours. The fragmentation of self in a world that demands unity. The longing for authenticity in a culture of performance.